All activities in Scenes
four, five, six, seven and 8 will be performed on the sacred Rila
Mountain. The group will form a “spiritual base camp” at the mountain
house, “Hija Rilski Ezera”. Like an expedition in the Himalayas, from
the base camp the participants will go to different places in order to
realise their spiritual goals. The camera could show the arrival of the
group at the "base camp", the conditions there and the surrounding
areas. (An idea about the life of the group in the base camp is given in
the film The New Earth by Rostislava Gencheva and Daniel Draganov, broadcasted on August 20, 2006 on BTV The Reporters).
The fundamental archetype,
which will be activated in Scene Four, is the Divine Wedding described
so majestically and emotionally by St. John in the 19th chapter of the Apocalypse (19: 6-9). It has inspired many saints, initiates and people of art. It is not by chance that the famous chorus Alleluia from Handel’s Messiah is written exactly from this text.
In essence, participation in
the Divine Wedding, which gives birth to the Reality of the New Heaven
and New Earth, will be at the centre of all our spiritual work on Rila.
In this fourth Scene however it is important to make a special contact
with the Divine Feminine in order to balance within the two main
archetypal energies in Creation – the masculine and feminine.
The appreciation of the
Divine Feminine is of crucial importance for our time. In order to
survive and undergo spiritual rebirth, we have to follow a whole New Gospel which comes from the Divine Mother. It will help us to bring the
Kingdom of God down on Earth and to build life on all levels of Being as
a Divine Temple. Emerging from the Source of Life, i.e. the
cosmic-spiritual Sun which never sets, the Divine Mother creates life in
all realms of the vertical structure of the Universe as a Divine Temple
– from the reality of the Holy City, through the various celestial
worlds, up to the life of humankind on Earth. On Earth She transforms
and illuminates the Earth itself, human culture, society, the family and
the life of the individual human being. In fact, the event of the
Second Coming of the Divine Masters and the coming New Gospel from the
Divine Mother are two aspects of one and the same mystery - the reality
of the New Heaven and the New Earth coming into existence from the
Source of Life, the Absolute Origin of Being.
So, the inspiring vision of St. John in the Book of Revelation about
the Divine Wedding (Chapter 19: 6-9)refers to the establishment of the
new celestial culture on Earth, woven by "the good deeds of God's
people". We are invited to participate in the Divine Wedding (Revelation
19: 9), which means to co-create with the Divine Masters and the
personifications of the Divine Feminine for the establishment of the
Kingdom of God on Earth.
In order to activate the
archetype of the Divine Wedding and especially the link with the Divine
Feminine, the group ascends to the plateau above the Hija, on a little
hill, from where the participants could see a wonderful panorama. On one
side is the great view of the Rila Lakes, the PrayerSummit, Haramiyata, the Solons, Malovitsa’s range of summits and the highest Rila summit, Moussala, in the far distance. On the other side is the great plateau next to the Fifth Lake, the summits Kabul, Ostretz, the Lake Summit and the plateau above the Seven Lakes in the form of a “wreath”.
At this scenic place the group will activate the archetype from the 19th chapter of the Book of Revelation and will try to become immersed in
the aura of the Divine Feminine. For this purpose it has to enter
spiritually into three Temples, one within the other, corresponding to
the three-fold structure of the Universe: the Temple of Nature, the
Temple of the Universal Soul and the Temple of the Universal Spirit.
With appropriate
prayer-meditation, led by Leon Moscona, the group appreciates the whole
area as a majestic Temple of Nature. In fact, when the participants face
the Lake Summit, situated at the centre of their view, the mountain
range (from Ostretz to the Salons) resembles the altar of a
majestic Temple. We are in front of it while the whole space behind us
is the hall of the temple. The camera has to capture the extraordinary
majesty, beauty, purity and spiritual presence in this Temple. There is
something deeply moving in the beauty of the valleys and the lakes, in
the surrounding majestic summits, in the meadows, the flowers and the
running water of brooks. The words in the guided prayer-meditation will
appreciate the Earth as a living Being, Mother Earth, Gaia, who
sustains all Kingdoms of life on it. The spiritual task of the group is
to experience our planet enveloped in the aura of the Divine Mother,
filled with the Holy Spirit who transforms the Earth into a majestic
Temple of Light.
As the prayer-meditation
continues with inspiring words and songs, another Temple has to be
visualised - the Temple of the Universal Soul. For this purpose the
space has to become 'alive', resembling an etheric sea of light, love,
music, celestial thought forms, inhabited by myriad of angels and light
beings. It is a sea of colour rays of light, which are the Divine
virtues radiating from the souls. Here the camera could focus on the
faces of the participants in the group, especially the female friends,
manifesting the virtues of the human soul. They express their love,
gratitude, tenderness and devotion to the Divine Mother, to the Mother
Earth, to Nature with all Kingdoms of Live in it. The participants in
the prayer-meditation feel part of God's people on Earth, with souls in
full bloom. The video track could also show inspirational pictures of
people who are living in the reality of the Universal Soul.
The third Temple, the Temple
of the Universal Spirit, is the one which is the whole of Creation. The
dome of this temple is the highest Divine world, the Absolute Origin of
Being, the Cosmic-spiritual Sun, from where the images of the Divine
Masters and the Personifications of the Divine Feminine radiate. While
the male manifestations of the Universal Spirit areconnected with the
archetypes of Personification (Babaji), Realisation (Buddha), Incarnation (Jesus Christ), Prophethood (Muhammad), World Teacherhood the Master Beinsa Douno), Emanation (The Holy Spirit), etc., the female manifestations connected with them take the form of family archetypes - those of Sister (Mataji), Daughter (Kuan Yin, Fatima, the New Eve), Mother (Virgin Mary) and Bride (Zventa Sventana). This is the way in which the feminine manifestations
reflect the union between the masculine and the feminine universal
principles and reveal the Divine wholeness of Being.
In our prayer-meditation in
this Temple we have to make direct contact with the various
Manifestation of the Divine Feminine and experience the archetypes of
the Mother, the Daughter, the Sister and the Bride. This could be
achieved through devotional invocation and mergence with their
cosmic-spiritual bodies. It is a great joy to experience the love, the
tenderness, the beauty, the kindness and the protection of the Divine
Mother. But the real mystery comes when, from the womb of the Universal
Mother, we are born through the intercession of the Holy Spirit as
children of Light.
The prayer-meditation for
link with the Divine Feminine, led by Leon Moscona, will include
readings and verses from sacred books (especially the Apocalypse
of St. John), prayers to the blessed Mother and other manifestations of
the Divine Feminine, invocations, guided meditations, accompanied by
appropriate music. When the spiritual atmosphere is developed and the
three Temples are spiritually present in our consciousness, then the
famous chorus Alleluia could sound apocalyptic – the Heavens will open and we will be able to hear what sounded like a large crowd, like the sound of a roaring waterfall, like loud peals of thunder (Revelation 19: 6). Thus the archetype of the Divine Wedding from the
Apocalypse will be activated and we will receive an invitation to
participate in it.
During this Scene the camera
will pay special attention to the images, experiences and the spiritual
feelings of the female friends in the group. One of them from
Switzerland, who participates every year in the assembly on Rila, has
the talent to express the depth of the human soul through her voice in
emotional musical improvisations. Certainly she could be one of the main
‘acting persons’ in the Scene and will express, on behalf of the whole
group, our great love, gratitude, devotion and passion for the Divine
Mother in all her aspects and appearances.