The action in this Scene is on Vitosha Mountain in the area of Aleko. Above the mountain lift there is a hill with a wonderful view of Sofia, appropriate for meeting the Sunrise. At this place we will actualise such important archetypes from the Apocalypse as the fall of Babylon (Revelation 18:1-24), the struggle of the Rider on the White Horse with the Beast (Revelation 19: 11-18) and the vision of the New Jerusalem (Revelation 21: 1-2).

For an illustration of the fall of Babylon the camera shows Sofia immersed in grey colours, darkness and anonymity. The group is gathered on the little hill overlooking Sofia and Leon Moscona describes to the participants the sad picture of contemporary civilisation: the great city is a conglomerate of people with egocentric thoughts, feelings and actions, full of tension and negative energies. In it the dark Lucifer, Ahriman and Antichrist energies are in power. We could easily imagine the existence of the Lucifer, Ahriman and Antichrist energies, as in Sofia, so everywhere in the world.

With powerful words Leon Moscona describes the nature of the dark forces. Meanwhile the camera shows appropriate, revealing, negative images of the existing Babylonian civilisation: the Lucifer energy deforms the wholeness of the human being. It is based on the ego-complex and is characterised by a drive for power, selfish realisation at the expense of others, quick results, phenomenal achievements, occult knowledge and so forth. On the surface, this energy can give the impression of polish, good education, success, brilliance, even charm, but at its core it hides an expansionist ego-complex, moral impurity and greed for dominance.

The Ahriman energy, on the other hand, deforms the wholeness of human society and its culture, that is, the wholeness of the socio-cultural organism. The chief aim of the Ahriman principle is to block the spiritual dimensions of human life and to make human beings slaves of the material world. It substitutes the essential spiritual needs of the human soul with craving for material goods, physical comfort, a 'respectable' position in society, complacency, entertainment, consumerism, perverted sexual pleasures and so on. By cultivating fears of losing a high material standard of living and social status, the Ahriman principle tries to control, manipulate and keep in material slavery millions of people. It considers its aim achieved when human beings forget their high Divine origin, their celestial home and their spiritual needs, impulses and dreams.

 

While the Lucifer and Ahriman energies deform the wholeness of the human being and of the socio-cultural organism respectively, the Antichrist energy aims to deform the wholeness of the spiritual Universe. It is characterised by violence, murder, black magic, arrogance, blackmail, and all kinds of heavy abuses in the areas of drug use, sexual practices and power. The Antichrist energy has its foothold in mafia-type organisations, terrorism, all kinds of movements in which the participants believe that the aims justify criminal methods.

Of course, the forces of Light are always present (otherwise human culture simply would cease to exist), but the influence of the dark forces in our time is quite substantial. Moreover, the struggle between the Light and the Dark forces has reached a critical point. Obviously, in order to survive, humankind has to overcome the power of the dark forces and the Babylonian civilisation has to fall. A new civilisation based on the Light forces has to emerge. This is the essence of the big struggle between the Rider on the White Horse and the Beast, depicted so powerfully by St. John in Chapter 19 of the Apocalypse (19: 11-16).

The visualisation of this archetype from the Apocalypse requires powerful images and some special effects. For the Rider on the White Horse, who cuts off the old civilisation with his Divine Word-Sword, we could use the images of St. Archangel Michael, St. George killing the dragon and others. The fall of the Babylonian civilisation could be emphasised with appropriate atmospheric conditions: mist, storm, torrential rain, lightening. As a musical background to the battle appropriate music could be played: for instance, the first part of symphony No. 5 of Beethoven, the beginning of which is known as destiny knocking on the door.

If the Battle is symbolically in Heaven, here on Earth the words of Leon Moscona sound as a call: “Dear friends, this civilisation has to be changed. Let us pray for it to fade away like a nightmare upon waking and the people to relax and to link with their souls and spirits. Let them make contact with the National Soul and the National Spirit Guide, with the Master Beinsa Douno.* Let us remember our Divine originand return back to the Kingdom of God”.

 (*For the contact with the National Soul and the National Spirit Guide the camera could use images from Rila monastery, the Madara Horseman, Krastova Gora, Orpheus rocks around Smolian and others).

After the dramatic struggle peace, light and "cosmic silence" is established. A magnificent new picture with the rising sun follows. The group is again on the little hill but the camera shows how the rays of the sun illumine Sofia and focuses on the golden dome of the cathedral “St. Alexander Nevsky”. In the spiritual ceremony for meeting the sunrise Leon Moscona inspiringly depicts a new picture of an illuminated Sofia where the people live in peace, joy and harmony. The awakening city is filled with light and all human virtues. This is Sofia where Boyan the Magician, the founder of the Bogomil movement, used to live, where the painter of the Boyana church left one of the greatest masterpieces of the European renaissance, where the World Teacher Beinsa Douno developed his Divine Teaching for the coming New Solar Culture, for the epoch of Aquarius. The Babylonian civilisation has to be replaced by the civilisation of the New Jerusalem so inspiringly envisaged and described by St. John. (Respectively the camera shows the Boyana Church, the Place of the Master, the Cathedral "St. Alexander Nevsky" and other important spiritual places. The musical track could include the powerful song The March of the Light Forces by the Master Beinsa Douno)

In the context of the archetype of the New Jerusalem coming out of Heaven from God prepared and ready as a bride for her husband, Leon Moscona outlines the richness and the beauty of the new civilisation that is coming. In it humankind will live in the Reality of the New Heaven and New Earth as the new humankind (Revelation 21:1-7). On the video track the camera “moves” towards the plateau and Cherni Vruh (i.e. the Black Summit, the highest summit on Vitosha with very strong spiritual vibrations, appreciated as a spiritual "8,000 metres" summit), towards the Cupenite and Bistritza reservation (presented as a Temple of Nature), focuses on the majestic panorama of Rila (appreciated as the spiritual Himalayas) and on the legendary Stara Planina (the Balkan). From the plateau the impulse for the New Jerusalem civilisation could go all over the world with appropriate words and pictures from the Himalayas, the Alps, Kilimanjaro, Ururu, the Andes and other sacred mountains. The whole Earth is encompassed with light, beauty and Divine presence.

After these emotional pictures the participants in the group with great motivation, enthusiasm and inspiration will descend to Sofia in order to see the city with different eyes – as a focus of the New Jerusalem civilisation.